Putting the “Science” in Science Fiction: Part I

A guest blog post by Mike Hays

The science fiction genre is hard to define. With its wide variety of sub-genres, pinning down an all-encompassing descriptor for the science fiction often turns into a “we’ll know what it is when we see it” type of thing. One of the better definitions of science fiction I have come across describes science fiction as the “literature of change”. Science drives technology and technology drives change, therefore, the “literature of change” descriptor fits almost perfectly for science fiction.

No matter which sub-genre of science fiction, it is important to have a solid foundation in science. After all, it is SCIENCE fiction. This doesn’t mean the science has to be dry, concise and 100% factual, though. That’s more for hard science; the professional, peer-reviewed journal article publishing science. A scientific foundation in sci-fi simply means the science must be solid and logical. It can be based purely on fact or totally on fictionalized science, but the science must be grounded in the logic of the story and not MacGyver science.

compliments of MacGyver Online CommunityMacGyver science? That is when the science solution appears out of thin air, like in the old television show, MacGyver. Every week, the protagonist in the show would do something like stopping the bad guy from blowing up a nuclear power plant (with 0:01 seconds left on the timer, mind you) by building an electronic manual self-destruct function override switch from a paper clip, an evergreen air freshener, duct tape, a flashlight and a bologna sandwich found in the glove box of the custodial service truck abandoned in the nuclear facility’s parking lot.

The point is, the science can be factual, it can be made up, or it can be magical. But, the science cannot be carried around in a fanny pack only to be used in times of greatest need or when no other solution is apparent. No ‘deus ex machina’ solutions, please.

Karina Fabian, author of MIND OVER MIND and the Dragon Eye, P.I. series, teaches two excellent workshops on worldbuilding, Worldbuilding 101 and Worldbuilding 201. They are good courses which help a writer plan out the fundamental workings of a story. The principles Karina presents for worldbuilding translate extremely well to the use of science in science fiction.

“Worldbuilding done right brings interest, gives context, presents an image, draws in readers, and gives your characters room to grow and limits within which to operate. Done well, you can make flight of fancy and twists in logic that people will believe and adore…Done poorly, however, it can throw your reader out of a story.”

-Karina Fabian

The golden ticket of Karina’s workshops is the list of her six rules of worldbuilding, which also adapt well to the use of science in science fiction. If we can build a successful fiction world by following these principles, we can also follow them to create a successful science-grounded fiction world.

–End of Part I–

Tune in next time for more from Mike Hays. Until then, please comment below, and share your thoughts on science fiction and its many sub-genres. Feel free to plug your favorite novels, TV shows or films. Tweet a link to this post and you’ll be entered to win a copy of Beth Revis’s ACROSS THE UNIVERSE and A MILLION SUNS. Paste a copy of your tweet below to be entered into the contest!

Thanks for reading. Part II will be posted in February. Be sure to sign up for notifications of new blog posts.

About Mike Hays

Mike Hays is a husband, a father of three, a lifelong Kansan and works as a molecular microbiologist. His debut middle grade historical fiction book, THE YOUNGER DAYS, is signed for a February 2012 release from MuseItUp Publishing. He enjoys reading in the science fiction genre and making up science fiction, mostly in short story form. Besides writing, he has been a strength and conditioning coach, a football coach, and a baseball coach. He has published three non-fiction football coaching articles, co-authored several scientific papers and is the co-inventor on two US patents. His former players hardly believe he can read anything without the aid of pictures, let alone write anything sounding halfway sensible.

Blog: www.coachhays.com
Twitter: @coachhays64
Facebook: www.facebook.com/pages/Mike-Hays/154175077989090

The Terror Within: A Hypothetical Look at Leaving Your Agent Part III

So, if you haven’t read parts I and part II in this series, please click the links to start. At the end of this post there is a Halloween giveaway. Why? We are talking about terror, aren’t we? And what’s spookier than changing agents? Boo! CONTEST RULES: 1. YOU MUST BE A SUBSCRIBER TO THIS BLOG 2. YOU MUST COMMENT BELOW WITH SOME INDICATION YOU HAVE ACTUALLY READ THE POST 3. YOU MUST BE FOLLOWING @Georgia_McBride and @ghostgirlbooks on twitter! Lots of rules, but we’ve got a HUGE goodie bag of ghostgirl stuff!

So, I don’t know what happens to our heroine, Betty. I am sitting here thinking about a happy ending that I can write for her, but I think she has to write her own happy ending. She’s a writer! As promised, however, let me briefly share my own agent story. Admittedly, it is not nearly as exiting. I queried exactly 124 agents beginning in November 2008. Anyone want to take a gander at how many requests I received? Well. I received twelve. The rest were REJECTIONS. I revised and re-queried in May 2009 (oh yeah, I revised the crap out of that manuscript) and received even MORE REJECTIONS and requests—I think twenty-four (requests). The rejections were very nicely written, and super kind. Like, “I’m truly sorry, but I just don’t like your book. I really hope you find an agent.”

You know what? I put the book UNDER THE BED. I refused to look at it. I came up with an idea for a middle grade and another YA but only wrote their titles and a line or two about them and focused on writing this dystopian paranormal MG and my paranormal sci-fi YA. Then after about 6 months, I queried again, with my same YA after revising for 2 more months and this time got about thirty requests. The good
part of that was I queried exactly thirty eight agents. AND, some of them were some I’d queried before. I know, you’re not supposed to do that. This is 2010 for those of you not keeping up. And then summer happened and I found myself with two manuscripts still out and nothing cooking.

So, I called up an agent colleague and asked if he would take a look at my book. He’d rejected it back in February but hey, this was end of August so what they heck?

Now, I DO NOT RECOMMEND ANYONE DOING WHAT I DID. DO NOT DO WHAT I DID. SUPER DISCLAIMER. THIS IS NOT THE WAY TO GET AN AGENT. DO NOT DO WHAT I DID. And I have to say, I would not have done it at all had I not been encouraged to do so by some wonderful writer friends. Fast forward to nine months later (that is, after I signed with said awesome agent) and things weren’t popping like I had expected. I didn’t have my awesome deal (a question I got TIRED OF ANSWERING) and I was kind of like trying to wrap my head around my lack of creativity and why I was feeling stagnant in my writing life.

So I had a loooong talk with awesome agent, and then another loooong talk with awesome agent about two weeks after that. It was during those conversations (not for lack of previous looooooong conversations over the course of our engagement) that I realized I needed to move on. Another friend of mine (one of the eight) talks about this and does a great job of it so click here to read her experience http://faeriality.blogspot.com/2011/09/im-back-but-not-same-and-bookanista.html.

I made the decision the Friday of Memorial Day weekend. It was a very hard decision to make. I LOVE my first super awesome agent. He is a great friend and I had high hopes for the awesomeness we were going to achieve together. To be honest, there was NO drama, no BIG story to tell, no on pulled anyone’s hair out, I didn’t go on sub and not get a deal, no one talked poorly about anyone. Nothing like that. It was simply time to explore my career options and find an agent who would push me, challenge me creatively and force me to be what I am capable of. I was lazy with my first agent. Complacent. Because we are friends, I accepted this of myself and he didn’t push me.

So, that Friday, I emailed him (yep, I took the coward’s way out) knowing that if we talked I would break down into the ugly cry, and that would be the end of me and my entire weekend would be ruined. He was very kind and that was that. I emailed five agents I admire greatly. I didn’t have the energy to do the whole two thousand agent query thing. Everyone got back to my right away, except ironically the agent I ended up with. I was such a wreck and filled with such dread that, against my better judgment, I sought council from editor colleagues I may soon be on submission to. But, I felt if they can’t tell me what to do, then no one can. I thought surely I was doomed. Again, DON’T DO WHAT I DID. DO NOT DO THIS. THIS IS NOT THE WAY TO FIND AN AGENT. YOU MAY WELL REGRET DOING THIS IF YOU ATTEMPT IT.

With great advice to ponder from some really wonderful editors and requests from all but 1 of the agents I emailed, I felt good about my chances. For me, it wasn’t about casting a wide net. It was about casting the right net into the right pond.

I was offered representation on Monday, a mere 2 days after sending my novel out. It was impossibly true. After speaking with the agent who was very, very nice and I still admire her quite a bit, I didn’t think we’d make a good team. I hope she doesn’t mind me saying this, but I don’t think she would have challenged me. I know myself. I need to be kicked in the pants, slapped on the wrist and at times, told NO!

Tamar Rydzinksi of The Laura Dail Literary Agency responded I believe on Tuesday with a super cute apology for not responding sooner. Asked for the book with a warning that she was probably not going to like it. WTF? My heart sank immediately. In preparation for not loving the YA she asked what else I had. I told her about the WIPs. Of course, she wanted to see the ONE that was just an idea. I hadn’t written a single line of it. So, in three weeks, I feverishly hammered out 50k words of OLIVIA GRIMLY’S PARANORMAL EXPERIMENT and sent it to her. Then I threw up. Yep. Came down with the flu or whatever. I was so sure she would hate it, I hid in bed for like a week. During that time, she wrote me to say, she enjoyed PRAEFATIO, like actually surprised herself. Hot dog! And, a few weeks later, she wrote to say she liked OGPE too!

I was in heaven. We talked on the phone like three times, and I knew she was exactly what I needed. She didn’t tell me what I wanted to hear. I wish she had. But she didn’t and when I met her in person two weeks ago, I knew I had made a great decision for my career. And you know what else? The day I delivered the revision on OGPE, a new YA idea came to me, like that night. Guess what?. She loved that too. I am so darn excited I cannot tell you.

So to all of you who are having issues with your agents or thinking about leaving your agents. I say this. Sometimes doing the things you most fear can be the most freeing. Like, skydiving, or bungee jumping or telling your mother in law to, “go jump in the lake!” Ooops. Did I say that?

HOWEVER, no one ever jumps out of an airplane without first having taken lessons, secured the proper equipment, and taken care to get great insurance! Look before you leap, ask questions and make sure you are making the right decision. Agents are people too. And to my first super awesome agent, thank you for being my training wheels. I will forever appreciate and love you.

Thanks for reading and good luck. Feel free to leave your comments below and be entered to win a ghostgirl tote bag stuffed with a ghostgirl pillow case, stickers and hardcover copy of each book in the 3-bk ghostgirl series. CONTEST RULES: 1. YOU MUST BE A SUBSCRIBER TO THIS BLOG 2. YOU MUST COMMENT BELOW WITH SOME INDICATION YOU HAVE ACTUALLY READ THE POST 3. YOU MUST BE FOLLOWING @Georgia_McBride and @ghostgirlbooks on twitter! Lots of rules, but we’ve got a HUGE goodie bag of ghostgirl stuff! Thanks to author, Tonya Hurley for the generous donation and HAPPY HALLOWEEN! Contest ends Nov 1 at midnight! Random winners drawn from entrants!

Michelle Zink Tonight at# YALITCHAT

Join me for an amazing chat with Michelle Zink, author of the PROPHECY OF THE SISTERS trilogy from Little,  Brown Books for Young  Readers. Michelle is celebrating the release of the final title in the series, CIRCLE OF FIRE. She’ll be giving away awesome prizes as well as talking about series conception and conclusion, moving [...]

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Revision and Writing Tips for Everyone!

If you missed it, I posted some useful revision and writing tips on Twitter July 2. I was asked to summarize in a blog post, since not everyone was online then (they have lives). With the help of my amazing assistant Jennifer (she did it all), see the list of tweets compiled in order from last [...]

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Deciphering agent speak: Couldn’t connect with your character

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So, you’ve finally heard from the agent you’ve been dying to hear from. Great. The letter starts something like this. “Thanks for sending your manuscript. I really enjoyed the writing…” By now you’re thinking, “holy cow. She enjoyed the writing. I need to get my pen ready. The one I’ll sign the representation contract with.” [...]

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4,000+ twitter followers appreciation contest – REDUX

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It truly feels like I’ve won the lottery AGAIN. Since I posted this, I’ve gained 110 new followers and I can honestly say I have no idea why anyone has interest in what I say. I’m so lucky to have exceeded 4,000+ followers on twitter! But to be honest, it’s not the number alone that [...]

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